You can’t just go and shoot a film without knowing anything about the visual effects. You have to know exactly how you want the effects to look like. Especially when the order of filming matters. In this tutorial we will cover a case where the order of filming is extremely important. We will make stock footage on set and composite that in the plate. We will use a technique to composite stock-footage with background into the plate. Then we go using displacement maps. The key to selling the effect. In the end we will learn a method to make an unnoticeable transition between two shots, very exciting. I have never seen any water effect like this made in After Effects so it will be a lot of fun!
Red Giant Trapcode Particular v2.1 for After Effects CS5 (Win/Mac) | 43 MB
Trapcode Particular - плагин для After Effects, является мощным средством генерирования систем трехмерных частиц, незаменимым при создании разнообразных спецэффектов (от реалистичного дыма и взрывов, до имитации движения различных элементов дизайна).
В новой версии плагина добавлена поддержка 64-битовых операционных систем, а также After Effects CS5.
Tim Clapham returns with a brand new course aimed at motion graphic designers and animators. This term, it's a bit of a departure from Clapham's previous typical course structure as he will be taking you through the development and animation of a channel ident from the initial concept stage, right through to the final rendering and delivery part of the process. In a previous term at fxphd, members were invited to design a logo for a fictional TV channel. The chosen design is the logo we will be using for our ident.
Aetuts+ is a site made to house and showcase some of the best After Effects tutorials around. We publish tutorials that not only produce great effects, but explain them in a friendly, approachable manner. We also stock up links to tutorials, articles, presets and plugins from around the web to help you get the most out of After Effects.
Все начинается с идеи. В этой главе мы собираемся начать с общего обзора и будем двигаться, используя фотографии и ссылки инструментов цветовой коррекции для создания основного вида живописи. очень быстрый и свободный процесс.
In this class, the art direction process for motion graphics in a feature film production pipeline is revealed. Motion Graphics Art Director for James Cameron's Avatar, Neil Huxley, takes a step-by-step guide from creative brief, conceptualization and design in Illustrator and Photoshop through to animation in After Effects. Some of the topics that will be covered include: creating a workflow that allows for creative freedom and clear communication, quick iterations for client approvals, creating a graphics bible, and setting up clean After Effects comps which allow for client feedback revisions. This masterclass will take you through every step of the art direction process.